"In order not to distract your view, I entitle my works with a number, each number representing the chronology of their creation in the time.
    Your view is your title,
my view is mine"
René de Fontaine was born June 17 1950 in Paris, France, son to a French father born in Warsaw and to a Polish mother also born in Warsaw. He had French nationality. He died on December 14 2003 to Paris.
A path,
One bypasses a stone,
One avoids a grove,
One ducks, one scratches oneself,
To the right,
To the left,
Then one stops,
Society,
Every day life,
One keeps carrying on,
If one carries on?
Such is the introduction to the book he publishes at his own expense in 1982, under the title "Communications (?)". A book about art that redraws ten years of existence as a university student (mastery Arts Plastic), a worker (post auxiliary), a professorial (art teacher). Next, for more than twenty years, he works with the small childhood in suburban kindergarten. Simultaneously, it invests himself in art through reflection, creation and theorization in a Paris studio (Atelier la Barque).
 

43 years old, Gerard BAULARD, native of the Island of Oléron, interested in drawings since he is 10, switching then to sport, in particular football. It is only at 25 years that his passion reappears and incites him to follow some trainings in Rochefort (Charente-Maritime) from 1986 to 1989 in order to improve his artistic style.

Taking as a starting point the landscapes of his native area, first of all the brushes then the knife will engrave his desires, sea, beaches, dunes, headlights, typical lanes with roses, fortifications of citadel, etc.

Then, his interest for the abstract in 2005, conducts him to give life to an imaginary world; letting rove his spirit, soft curves with sharp colors become animated under his skilful fingers and leaves him dreaming, dreaming to a better world, there, somewhere, near to us, made of lights and of gaity where reign an instigating peace.

Thus these curves become a living matter.

By an invitation to travel, the artist proposes to the people discovering his canvas with nebular curves, to be perhaps identified themselves, while letting himself guide by their clean imaginary and slip into this world of colors, source of joys and happiness in a pure state.

Progressively, time spent to carry out his works, the names of those little by little will be born and exist sometimes recalling the life last and current of the artist.

He will take again this formulation that he loves : "the life is unceasingly made of sunny and cloudy periods; it is like a rainbow: it needs at the same time the rain and the sun so that its colors appear".

Thanks to the life, thanks to all that it gives me, health, happiness and prosperity.......!
Thanks to my wife that I adore,
Thanks to "L'Art Pour Tous" for the creation of this site,
Thank you very much of your visit.

In a friendly way, Gerard.
 

Been born April 27 1964 to Mount of Marsan (LANDES) Sociétaire of the France artists since 1990 City DICTIONARY DROUOT QUOTATION OF THE ARTISTS
MORE MODERN AND MORE CONTEMPORARY, more classified ART PRICE since 2001

"This is with a lot of emotions that she crunches its landscapes, where one rediscovers the subjects that she is fond of: water the trees and the fields. Its complexions, passing green to the brown one, evoke the freshness of the places that she visits or imagines, its universes that she felts to underline the secret of an emotion, invite the look to itself there to take a walk. As for its oils, realized to the knife, they books imperturbables,ce movement unspeakable of a nature forever prisonnière)

NOW -price of () -of the (, 1993) OF OF THE (ambilly1999) MEDAILLE : -of of , 1995 -Parlor , 1991 -oil , 2002
-oil on , PARLOR ARTS INTER DIJON 2004 -category oil on canvas, Parlor ARTS INTER CHAMBERY 2004

PAINT PRICES FIGURATIVE (Gimont 1998) PRICES SPECIAL OF THE JURY (Gallery mediterranean, NICE 1993) PRICES D
EXCELLENCE (Marignane 1991) 3EME PRICES (Parlor of the big motte MONTPELLIER 1995 BIG FINALIST GPI DEAUVILLE
1990 1992 FINALISTS GP DEAUVILLE 1987 1988 1989 1993 FINALISTS GP QUOTES D AZURE 1991 1992
 

Concerning Copyrights:
If you want to buy copyrights please contact Copy-Dan, Society PICTORIAL ART, Copenhagen, Denmark - copydan@copydan.dk - Asbjorn Lonvig's Copy-Dan contract number is 1549.

Granted the World of Art Award 2006.
The World of Art Award (WAA) is granted to artists, galleries and museums that are pursuing "best practices" in art and culture.
This competition seeks to attract artists, galleries, museums who are redefining standards of art excellence challenging existing trends and tendencies in art and culture.

I'll let French author Allain Joannes, Paris do the rest of the work:
"The jubilation feelings given by forms and colors of Asbjorn Lonvig"
The art of the Danish painter Asbjorn Lonvig communicates at the first glance euphoria in a rough state. A so intense euphoria that the glance can not move away from the piece of his art.
Of course, the saturated colours are decisive in this very great glowing. The coloured dazzling and the feeling of pleasure which prolongs it have multiple causes.
As adequacy between artistic creation and the constraints of communication, the art of Asbjorn Lonvig illustrates an assumption of neurocognitives sciences: the neurons in charge of visual perception are first activated by patterns recognition, then by colors recognition, then by recognition of textures and movements recognition. In a piece of art like "Soul hurting still ", the sensory impacts of the forms and the colors are very strong and equal. The pleasure comes from what the eye and the brain receive from the red, the yellow, the green and blue at the same time as they recognize the squares, the rectangles, the circles, the triangles, the straight and broken lines and even the letter “A�. The glance thus filled by a profusion of feelings founds a generating mental state of pleasure.
After and beyond the primary emotion, in a second phase of contemplation, the spirit endeavours to confer an overall significance on the table. It calls upon its repertory of already memorized forms. Then, the pleasure becomes ludic. Functioning like a rebus, the chart of an unknown territory, a coded language or a mysterious diagram, the piece of art asks to the witness: " What am I ?"
The many possible answers are mental resonances which give to the artistic communication a richness higher than all the other ways to communicate.
This communication is intersubjective. It organizes the meeting between the subjectivity of the artist and the subjectivity of the witness. The witness of the piece of art is free to refer to tropical sensory prints: association of a dominating solar yellow, sky blue, deep vegetal green. He can also associate the table with an intimate collection of primitive art. He shall perhaps remember the geometrical abstractions of Kandinsky and Mondrian. Surely, the piece of art will be kept in the long memory space into the brain with all its resonances sensory, emotional, ludic and cultural.
It is may be interesting to know that the joyfull impact piece of art by Asbjorn Lonvig is closely related to its is canvassed artistic. High level data processing specialist then head of a software company, the painter found serenity in a pictorial creation which starts with digital drafts and finds its completion on a support – frame and fabric - entirely conceived and manufactured by the artist.

Author Alain Joannes
Paris
France