. Biography of Karadjian anik .

My inspirations leave vegetable one, deterioration of the time on this one. I observe the seeds, the barks, the brands of the time on the trunks, the textures, the colors. Next I designate myself as subject and puts in consonance vegetable deterioration on my mutation. One does not escape the transformations or to the inherent chaos to the passage of the time. In the pictures, it does not exist any predominant central picture no hierarchic report, the passage of the time is not the even for all, we test it differently. By a constant one goes and comes between the exterior world and the experience that we in let us have, our sensations and feelings and our reflection modify themselves constantly.

On canvas sometimes on drinks, I always work in a manner very tactile. I like to handle the matter to the point to distort it, to mix it, to crack it, to tear it, fissures appear as shocks of the time, wrinkles. The mixture of the techniques - acrylic, oil, pigments, fatty chalks, collages- allows me to touch the matter, it becomes an elaborated technique. Indeed, I await that this procedure surprises me and shows me a way that I do not know, that I will discover and exploit. I offer myself to the spontaneity of the gesture and to creation liberty, every work becomes a momentum of the heart, a quest of the interior. The matters épaissies or fine in glacis stress the scratches, hatch them, give to the paint all his sensuality, his density. The eye itself adventure in the méandres, penetrates in the fissures to go beyond.

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