. Biography of Damien claude .

Claude DAMIEN Artiste Stimulating Plastics technician Professor Street of the Large Vein 35 7370 Dour - Belgium Such: 0032 (0) 478/28.56.10 claudedamien@hotmail.com Born 13/12/1979 in Boussu Collective exposures 1999 Arts centre J Degouys, Beloeil 2000 Room of conference of the House of the People of Boussu 2001 Road shows, Peruwelz, Mons, Hornu; Contest Claude Durieux, Mons; Cabinet of Mr. Detienne, Minister for the Social Affairs and Health, Namur; 2002 Fyfty One Club, France ? Bronze medal Great International Prices of Wallonia; Be delirious and Creations in Dour Music Festival; ? American medal of American Honor Biographical Institude, the USA Fresco carried out in the fundamental school of the French Community, Mons; ? Médiale d' Argent Contest of the Gallery, "Current Art Gallery" 2004 Thuillier Gallery, permanent artist, Paris, France; "At the edge of the Thought" exposure the surrealist ones and movement Cobra contemporaries, Brussels; Course of Artists, guest with Saint-Gilles, Brussels Artisti in Mouvemento, Montoné, Italy; 2005 "Arts immediately", Ham over Hour 2006 Courses of Artists of Saint-Gilles, Brussels: - Exposure Art People, Brussels - Exposure of the artists of Camaleon, Brussels Performance: Collective painting with Amirah Gazel, Miguel Lohlé, Rafael Arcangel O, Simona Di Clemente, Ivan Van Keer, Viviane Delhage, Denis Magerman and Claude Damien. Araxess Gallery 2007 Araxess Gallery Individual Exposure 2003 "Be delirious Human", Brussels 2006 "Drawings & Paintings in another reality ", Brussels Artistic steps ? Personal conduits My nonconformism led me in an artistic style of contemporary art far from the classicism. Although I hardly appreciate to be classified in a creative way, I must recognize that the surrealist movement forms integral part of my person. I approach all his characteristics in order to work out my?uvres. By using its tools, for example, spontaneous art, the research of the human behavior, the psychoanalysis, demonstrations unconscious for a perpetual walk of the closed areas. Thus, I explore repressions of our company and his emotions selected? The art of the face the portrait is one of the oldest subjects of art. The emotion of my faces overflows quickly, far, of the beaten paths. My faces are quartered, broken, moved by the plastic techniques. One finds sand, cement, plaster components there and other waste related to the acrylic resin, covered by painting and my griffonnages with the felts, pens or pastels "the beauty does not lie only in the joy; but also in its pain and all other expressions. These is the expressions which dissociate us from the machine. Since the face is the first external demonstration towards new human meetings "

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