. Biography of CARAL-VILLA .

The FLOWART was born Origin of a movement

Following the example of Molière, writing in the school of the women:  "The small cat is dead…" Thierry caral-villa, (and his school of the fans) asserts aujourd’hui:  "The big easel is dead…" Already underlying in the collection "Pieces choose" the quest of
absolute liberty in demand by this artist fully results in the creation of this original movement…

Push again more far the gait of Jackson Pollock of the years 40, developed through "the action painting".  Satisfy his recurrent artistic fantasy: to separate the brush; but also the easel in order not more anything to impose on the canvas… to liberate itself To Consecrate all sound energy to the pictorial explosion, while using the phenomenal force that maintains us the feet on
earth: the gravitation!  Such are the principal ideas that drove Thierry caral-villa, energy generator, to create the Flowart…

Gravitation and inspiration do good household!

A night, leaving the idea to rediscover the pictures of a échographie floutée, it began, previously by to work to the ground, then, dissatisfied and irritated replaced the sketch on his easel, there poured the colors remaining and, in a mood movement, began let the canvas turn in the vertical plan…

Successive rotations proposed a promising result… it was necessary to note that the unique verticality limited the effects of the mixture of the paints, observable notably on its preceding canvass to the knife.  The secret of this movement?  : do-it-yourself, imagination, centrifugation… The necessity to integrate an additional dimension
revealed itself then screaming to the artist that some imagined an easel allowing for him to work in 3DIMENSIONS and to put to profit the effects of centrifugation

The white canvas hung horizontally, the previously prepared ends, the painter enters in track: it erects the paint mixture on the canvas while mastering the easel movement in the 3 dimensions of the space, then passes under the canvas for "to disappear in the picture" and does to turn the picture by the strength of the arms, using the transparency to let his work be born!  Thierry caral-villa in big epicurian pleases itself to compare his technique to the kitchen: piano/shelves, ingredients/ends of paint participate in the same spirit of inherent magic to the success of a voucher puts… and to add:  "the difficulty as behind the furnaces is of not "to overcharge", of not to destroy what already is well done…"

The identity of the artist itself there reveals fully through canvass to the important format, transporting the visitor in a world of force and of balance constructs around a varied palette.  Harmony and violence that can appear opposing ally themselves nevertheless here to make an atmosphere live us indeed supernatural galactique!

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